Reveals a remarkable woman's life and her contributions to social justice movements related to Civil Rights, feminism, lesbian and gay liberation, anti-racism, and Black feminism.
Provides a contemporary response to such landmark volumes as All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave and This Bridge Called My Back.
Gateway to Equality investigates black working-class women's struggle for economic justice from the rise of New Deal liberalism in the 1930s to the social upheavals of the 1960s.
A Movement Without Marches follows poor black women as they traveled from some of Philadelphia's most impoverished neighborhoods into its welfare offices, courtrooms, public housing, schools, and hospitals, laying claim to an unprecedented array of government benefits and services.
IPut Your Hands on Your Hips and Act Like a Woman "re-members" and represents how women of the African diaspora have drawn on ancient traditions to record memory, history, and experience in performance.
In Reclaiming Our Space, social worker, activist, and cultural commentator Feminista Jones explores how Black women are changing culture, society, and the landscape of feminism by building digital communities.
In this comprehensive history, Ashley D. Farmer examines black women's political, social, and cultural engagement with Black Power ideals and organizations.
Scandalize My Name builds upon the rich tradition of this work while approaching the study of black female representation as an opening onto a critical contemplation of the vagaries of black social life. It makes a case for a radical black subject-position that structures and is structured by an intramural social order that revels in the underside of the stereotype and ultimately destabilizes the very notion of "civil society."
When women were denied a major speaking role at the 1963 March on Washington, Dorothy Height, head of the National Council of Negro Women (NCNW), organized another march the very next day.
Undivided Rights captures the evolving and largely unknown activist history of women of color organizing for reproductive justice--on their own behalf.
In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country's postrevolutionary national identity,
In Womanpower Unlimited and the Black Freedom Struggle in Mississippi, Tiyi M. Morris provides the first comprehensive examination of the Jackson, Mississippi-based women's organization Womanpower Unlimited.